Showing posts tagged Book


1690s book with filigree silver binding - National Library of SwedenThis binding is an exquisite example of Danish filigree technique from the 1690s.It belongs to the National Library’s Huseby Collection and was once owned by Karren Mogensdotter Skoug. Her name and the year 1692 are engraved on the inside of the clasps. -(x)
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1690s book with filigree silver binding - National Library of SwedenThis binding is an exquisite example of Danish filigree technique from the 1690s.It belongs to the National Library’s Huseby Collection and was once owned by Karren Mogensdotter Skoug. Her name and the year 1692 are engraved on the inside of the clasps. -(x)
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1690s book with filigree silver binding - National Library of SwedenThis binding is an exquisite example of Danish filigree technique from the 1690s.It belongs to the National Library’s Huseby Collection and was once owned by Karren Mogensdotter Skoug. Her name and the year 1692 are engraved on the inside of the clasps. -(x)
Zoom Info

1690s book with filigree silver binding - National Library of SwedenThis binding is an exquisite example of Danish filigree technique from the 1690s.It belongs to the National Library’s Huseby Collection and was once owned by Karren Mogensdotter Skoug. Her name and the year 1692 are engraved on the inside of the clasps. -(x)
Zoom Info

1690s book with filigree silver binding - National Library of SwedenThis binding is an exquisite example of Danish filigree technique from the 1690s.It belongs to the National Library’s Huseby Collection and was once owned by Karren Mogensdotter Skoug. Her name and the year 1692 are engraved on the inside of the clasps. -(x)
Zoom Info

1690s book with filigree silver binding - National Library of Sweden

This binding is an exquisite example of Danish filigree technique from the 1690s.It belongs to the National Library’s Huseby Collection and was once owned by Karren Mogensdotter Skoug. Her name and the year 1692 are engraved on the inside of the clasps. -(x)

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New Vintage Type: Classic Fonts for the Digital Age.
Choose, use, and understand great vintage type with this authoritative guide. Retro is the new modern. And nowhere is that fact more evident than in typography, which today uses vintage type in ads, book and magazine design, movies, and everywhere words convey meaning. Viewers may not even realize that the type itself conveys mood, information, and a sense of style, but graphic designers know the power of vintage type. Now the world’s foremost historian of graphic design presents New Vintage Type, a remarkable rethinking and rediscovery of old and classic typefaces for today’s modern needs. Hundreds of amazing, astounding, and obscure examples from around the world are gathered here, organized into five historically and stylistically grouped sections: the Victorian Age, the Woodtype Era, Art Deco Style, Modern Movement, and the Eccentric Movement. With hundreds of lively and one-of-a-kind examples, plus informed, intriguing tex, New Vintage Type is the graphic designer’s guide to choosing and using vintage type for maximum impact.
Get it here: http://amzn.to/1bz5eVr
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New Vintage Type: Classic Fonts for the Digital Age.
Choose, use, and understand great vintage type with this authoritative guide. Retro is the new modern. And nowhere is that fact more evident than in typography, which today uses vintage type in ads, book and magazine design, movies, and everywhere words convey meaning. Viewers may not even realize that the type itself conveys mood, information, and a sense of style, but graphic designers know the power of vintage type. Now the world’s foremost historian of graphic design presents New Vintage Type, a remarkable rethinking and rediscovery of old and classic typefaces for today’s modern needs. Hundreds of amazing, astounding, and obscure examples from around the world are gathered here, organized into five historically and stylistically grouped sections: the Victorian Age, the Woodtype Era, Art Deco Style, Modern Movement, and the Eccentric Movement. With hundreds of lively and one-of-a-kind examples, plus informed, intriguing tex, New Vintage Type is the graphic designer’s guide to choosing and using vintage type for maximum impact.
Get it here: http://amzn.to/1bz5eVr
Zoom Info
betype:

New Vintage Type: Classic Fonts for the Digital Age.
Choose, use, and understand great vintage type with this authoritative guide. Retro is the new modern. And nowhere is that fact more evident than in typography, which today uses vintage type in ads, book and magazine design, movies, and everywhere words convey meaning. Viewers may not even realize that the type itself conveys mood, information, and a sense of style, but graphic designers know the power of vintage type. Now the world’s foremost historian of graphic design presents New Vintage Type, a remarkable rethinking and rediscovery of old and classic typefaces for today’s modern needs. Hundreds of amazing, astounding, and obscure examples from around the world are gathered here, organized into five historically and stylistically grouped sections: the Victorian Age, the Woodtype Era, Art Deco Style, Modern Movement, and the Eccentric Movement. With hundreds of lively and one-of-a-kind examples, plus informed, intriguing tex, New Vintage Type is the graphic designer’s guide to choosing and using vintage type for maximum impact.
Get it here: http://amzn.to/1bz5eVr
Zoom Info
betype:

New Vintage Type: Classic Fonts for the Digital Age.
Choose, use, and understand great vintage type with this authoritative guide. Retro is the new modern. And nowhere is that fact more evident than in typography, which today uses vintage type in ads, book and magazine design, movies, and everywhere words convey meaning. Viewers may not even realize that the type itself conveys mood, information, and a sense of style, but graphic designers know the power of vintage type. Now the world’s foremost historian of graphic design presents New Vintage Type, a remarkable rethinking and rediscovery of old and classic typefaces for today’s modern needs. Hundreds of amazing, astounding, and obscure examples from around the world are gathered here, organized into five historically and stylistically grouped sections: the Victorian Age, the Woodtype Era, Art Deco Style, Modern Movement, and the Eccentric Movement. With hundreds of lively and one-of-a-kind examples, plus informed, intriguing tex, New Vintage Type is the graphic designer’s guide to choosing and using vintage type for maximum impact.
Get it here: http://amzn.to/1bz5eVr
Zoom Info

betype:

New Vintage Type: Classic Fonts for the Digital Age.

Choose, use, and understand great vintage type with this authoritative guide. Retro is the new modern. And nowhere is that fact more evident than in typography, which today uses vintage type in ads, book and magazine design, movies, and everywhere words convey meaning. Viewers may not even realize that the type itself conveys mood, information, and a sense of style, but graphic designers know the power of vintage type. Now the world’s foremost historian of graphic design presents New Vintage Type, a remarkable rethinking and rediscovery of old and classic typefaces for today’s modern needs. Hundreds of amazing, astounding, and obscure examples from around the world are gathered here, organized into five historically and stylistically grouped sections: the Victorian Age, the Woodtype Era, Art Deco Style, Modern Movement, and the Eccentric Movement. With hundreds of lively and one-of-a-kind examples, plus informed, intriguing tex, New Vintage Type is the graphic designer’s guide to choosing and using vintage type for maximum impact.

Get it here: http://amzn.to/1bz5eVr

typographybooks:

Calligraffiti: The Graphic Art of Neils Shoe Meulman
Calligraffiti - The Graphic Art of Niels “SHOE” Meulman’ is an impressive publication that presents a large selection of typographic works by Niels Shoe Meulman arranged in a uniquely simplistic manner; every spread presents two interacting visuals on its opposing pages. This repeating duality makes this book much more than just a collection of the artist’s best work; it unveils the basis of all graphic art.
The print finish on Calligraffiti’s cover is particularly eye-catching. A strong white masthead made with custom lettering by Niels Meulman is pressed into thick, black stock. The white type is then finished with a cello glaze to maximise its shine and contrast. There’s no paragraph on the back cover explaining who Meulman is or what the book might include. Instead, you will find 12 of Meulman’s most interesting logotypes. This decision is somewhat unconventional, as it leaves the content of the book fairly unknown to the average reader. However, it lets the work do the talking and invites those who are curious to open the book for more.
Get it here:
USA: http://amzn.to/15wGYl1UK: http://amzn.to/1f3gr4I
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typographybooks:

Calligraffiti: The Graphic Art of Neils Shoe Meulman
Calligraffiti - The Graphic Art of Niels “SHOE” Meulman’ is an impressive publication that presents a large selection of typographic works by Niels Shoe Meulman arranged in a uniquely simplistic manner; every spread presents two interacting visuals on its opposing pages. This repeating duality makes this book much more than just a collection of the artist’s best work; it unveils the basis of all graphic art.
The print finish on Calligraffiti’s cover is particularly eye-catching. A strong white masthead made with custom lettering by Niels Meulman is pressed into thick, black stock. The white type is then finished with a cello glaze to maximise its shine and contrast. There’s no paragraph on the back cover explaining who Meulman is or what the book might include. Instead, you will find 12 of Meulman’s most interesting logotypes. This decision is somewhat unconventional, as it leaves the content of the book fairly unknown to the average reader. However, it lets the work do the talking and invites those who are curious to open the book for more.
Get it here:
USA: http://amzn.to/15wGYl1UK: http://amzn.to/1f3gr4I
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typographybooks:

Calligraffiti: The Graphic Art of Neils Shoe Meulman
Calligraffiti - The Graphic Art of Niels “SHOE” Meulman’ is an impressive publication that presents a large selection of typographic works by Niels Shoe Meulman arranged in a uniquely simplistic manner; every spread presents two interacting visuals on its opposing pages. This repeating duality makes this book much more than just a collection of the artist’s best work; it unveils the basis of all graphic art.
The print finish on Calligraffiti’s cover is particularly eye-catching. A strong white masthead made with custom lettering by Niels Meulman is pressed into thick, black stock. The white type is then finished with a cello glaze to maximise its shine and contrast. There’s no paragraph on the back cover explaining who Meulman is or what the book might include. Instead, you will find 12 of Meulman’s most interesting logotypes. This decision is somewhat unconventional, as it leaves the content of the book fairly unknown to the average reader. However, it lets the work do the talking and invites those who are curious to open the book for more.
Get it here:
USA: http://amzn.to/15wGYl1UK: http://amzn.to/1f3gr4I
Zoom Info
typographybooks:

Calligraffiti: The Graphic Art of Neils Shoe Meulman
Calligraffiti - The Graphic Art of Niels “SHOE” Meulman’ is an impressive publication that presents a large selection of typographic works by Niels Shoe Meulman arranged in a uniquely simplistic manner; every spread presents two interacting visuals on its opposing pages. This repeating duality makes this book much more than just a collection of the artist’s best work; it unveils the basis of all graphic art.
The print finish on Calligraffiti’s cover is particularly eye-catching. A strong white masthead made with custom lettering by Niels Meulman is pressed into thick, black stock. The white type is then finished with a cello glaze to maximise its shine and contrast. There’s no paragraph on the back cover explaining who Meulman is or what the book might include. Instead, you will find 12 of Meulman’s most interesting logotypes. This decision is somewhat unconventional, as it leaves the content of the book fairly unknown to the average reader. However, it lets the work do the talking and invites those who are curious to open the book for more.
Get it here:
USA: http://amzn.to/15wGYl1UK: http://amzn.to/1f3gr4I
Zoom Info
typographybooks:

Calligraffiti: The Graphic Art of Neils Shoe Meulman
Calligraffiti - The Graphic Art of Niels “SHOE” Meulman’ is an impressive publication that presents a large selection of typographic works by Niels Shoe Meulman arranged in a uniquely simplistic manner; every spread presents two interacting visuals on its opposing pages. This repeating duality makes this book much more than just a collection of the artist’s best work; it unveils the basis of all graphic art.
The print finish on Calligraffiti’s cover is particularly eye-catching. A strong white masthead made with custom lettering by Niels Meulman is pressed into thick, black stock. The white type is then finished with a cello glaze to maximise its shine and contrast. There’s no paragraph on the back cover explaining who Meulman is or what the book might include. Instead, you will find 12 of Meulman’s most interesting logotypes. This decision is somewhat unconventional, as it leaves the content of the book fairly unknown to the average reader. However, it lets the work do the talking and invites those who are curious to open the book for more.
Get it here:
USA: http://amzn.to/15wGYl1UK: http://amzn.to/1f3gr4I
Zoom Info
typographybooks:

Calligraffiti: The Graphic Art of Neils Shoe Meulman
Calligraffiti - The Graphic Art of Niels “SHOE” Meulman’ is an impressive publication that presents a large selection of typographic works by Niels Shoe Meulman arranged in a uniquely simplistic manner; every spread presents two interacting visuals on its opposing pages. This repeating duality makes this book much more than just a collection of the artist’s best work; it unveils the basis of all graphic art.
The print finish on Calligraffiti’s cover is particularly eye-catching. A strong white masthead made with custom lettering by Niels Meulman is pressed into thick, black stock. The white type is then finished with a cello glaze to maximise its shine and contrast. There’s no paragraph on the back cover explaining who Meulman is or what the book might include. Instead, you will find 12 of Meulman’s most interesting logotypes. This decision is somewhat unconventional, as it leaves the content of the book fairly unknown to the average reader. However, it lets the work do the talking and invites those who are curious to open the book for more.
Get it here:
USA: http://amzn.to/15wGYl1UK: http://amzn.to/1f3gr4I
Zoom Info
typographybooks:

Calligraffiti: The Graphic Art of Neils Shoe Meulman
Calligraffiti - The Graphic Art of Niels “SHOE” Meulman’ is an impressive publication that presents a large selection of typographic works by Niels Shoe Meulman arranged in a uniquely simplistic manner; every spread presents two interacting visuals on its opposing pages. This repeating duality makes this book much more than just a collection of the artist’s best work; it unveils the basis of all graphic art.
The print finish on Calligraffiti’s cover is particularly eye-catching. A strong white masthead made with custom lettering by Niels Meulman is pressed into thick, black stock. The white type is then finished with a cello glaze to maximise its shine and contrast. There’s no paragraph on the back cover explaining who Meulman is or what the book might include. Instead, you will find 12 of Meulman’s most interesting logotypes. This decision is somewhat unconventional, as it leaves the content of the book fairly unknown to the average reader. However, it lets the work do the talking and invites those who are curious to open the book for more.
Get it here:
USA: http://amzn.to/15wGYl1UK: http://amzn.to/1f3gr4I
Zoom Info

typographybooks:

Calligraffiti: The Graphic Art of Neils Shoe Meulman

Calligraffiti - The Graphic Art of Niels “SHOE” Meulman’ is an impressive publication that presents a large selection of typographic works by Niels Shoe Meulman arranged in a uniquely simplistic manner; every spread presents two interacting visuals on its opposing pages. This repeating duality makes this book much more than just a collection of the artist’s best work; it unveils the basis of all graphic art.

The print finish on Calligraffiti’s cover is particularly eye-catching. A strong white masthead made with custom lettering by Niels Meulman is pressed into thick, black stock. The white type is then finished with a cello glaze to maximise its shine and contrast. There’s no paragraph on the back cover explaining who Meulman is or what the book might include. Instead, you will find 12 of Meulman’s most interesting logotypes. This decision is somewhat unconventional, as it leaves the content of the book fairly unknown to the average reader. However, it lets the work do the talking and invites those who are curious to open the book for more.

Get it here:

USA: http://amzn.to/15wGYl1
UK: http://amzn.to/1f3gr4I


Brunel Annual Report 2008: Enhanced Stats and FinancialRecords provide the background in design in this Annual Report.

Brunel Annual Report 2008: Enhanced Stats and Financial
Records provide the background in design in this Annual Report.